Christopher Nolan’s Micro-Budget First Films: Doodlebug & The Following
Christopher Nolan’s Micro-Budget First Films: Doodlebug & The Following
When Christopher Nolan was seven years old, he started making movies. It all began when his father took him to see the first release of Star Wars (1977) and the theatrical re-release of “2001”. He borrowed his father’s Super 8 camera and started shooting short films with his action figures. Being a Star Wars fan since childhood, he made a stop motion animation tribute called Space Wars.
In our ongoing series of spotlighting famous director’s first micro-budget outings, we present Christopher Nolan’s Doodlebug and The Following. Doodlebug was shot in 1997 and created the film during his university days using 16mm film.
This psychological short-film has gained a cult following, especially given the heights which Christopher Nolan’s now climbed since making it. The film concerns a grungy man, in a filthy apartment. He is anxious and paranoid, trying to kill a small bug-like creature that is scurrying on the floor. It is revealed that the bug resembles a miniature version of himself. He squashes the bug with his shoe. However, every movement the “doodlebug” makes is later matched by the man himself, and he is later squashed by a larger version of himself.
Download Chris Nolan’s Screenplay Collection in PDF
He followed up Doodlebug with his first feature film The Following in 1998. You can watch the entire feature film below. Also, check out the amazing mini-documentary put out on the making of The Following from VICE.
Always interested in crime and justice, Christopher Nolan’s first film (a whole seven years before he made Batman Begins) is a curious black and white head-scratcher about a writer who, obsessed with following people, subsequently gets caught up in a life of crime. In this interview, Nolan explains his key to success and ends up revealing many of the DIY filmmaking techniques he used to make Following. – Vice
THE NON-LINEAR NEO-NOIRS is the first chapter of THE DIRECTORS SERIES’ examination into the films and careers of director Christopher Nolan, covering his pair of breakout independent neo-noirs: DOODLEBUG (1997) FOLLOWING (1998) MEMENTO (2000)
To watch the rest of the Christopher Nolan The Directors Series – CLICK HERE
WATCH Filmtrepreneur’s Micro-Budget First Films Collection
- Christopher Nolan: Doodlebug & The Following
- Quentin Tarantino: My Best Friend’s Birthday
- Neill Blomkamp’s Micro-Budget First Film: Alive in Joburg
- The Coen Brothers’ Micro-Budget Short Film: World Cinema
- The Coen Brothers’ Short Film: Tuileries (Paris, je t’aime)
- Guillermo Del Toro’s Micro-Budget First Film: Geometria
- James Cameron’s Micro-Budget First Film: Xenogenesis
- Paul Thomas Anderson’s Micro-Budget Short Film: Cigarettes & Coffee
- Paul Thomas Anderson’s Micro-Budget First Film: The Dirk Diggler Story
- George Lucas’ Micro-Budget Short Film: Filmmaker – A Diary by George Lucas
- Wes Anderson’s Micro-Budget First Film: Bottle Rocket
- Tim Burton’s First Short Films: Vincent and Frankenweenie
- Tim Burton’s Short Film: Hansel and Gretel
- Martin Scorsese’s Micro-Budget Short Film: The Big Shave
Subscribe to Filmtrepreneur’s YouTube Channel
If you enjoyed Christopher Nolan’s Micro-Budget First Films: Doodlebug & The Following, please spread the word through Facebook, Twitter, Instagram, etc by using social media buttons in the post. Feel free to post to your blog and anywhere else you feel it would be a good fit. Thanks for the support.
Let me know what you think in the comments section below…
Get Social with Filmtrepreneur®
Facebook: Filmtrepreneur
Twitter: @Filmtrepreneur
Instagram: @filmtrepreneurs
Youtube: Filmtrepreneur.tv
Podcasts You Should Be Listening To:
Podcast: Indie Film Hustle Podcast
Podcast: Bulletproof Screenwriting Podcast
Podcast: The Filmtrepreneur® Podcast
Stuff You Need in Your Life:
IFHTV: Indie Film Hustle TV
Book: Rise of the Filmtrepreneur®: How to Turn Your Film into a Moneymaking Business
Book: Shooting for the Mob (Based on the Incredible True Filmmaking Story)